Whether he’s flinging demands to the low-fi punk of “Don’cha Lie to Me, Baby,” or confidently claiming turf amid bass drum-stomping and string picking and thrashing in the country blues of “Victory Song,” Bloodshot Records artist Scott H. Biram is exploding all by himself. In a live setting, his wild range of vocal outbursts wheel over instrumentals he builds on Gibson guitar and a one-foot-powered kit, surrounded by worn amps, mic cords and other tangled cables. Black Eyed Vermillion and Whiskeydick open his Tampa date.
— Leilani Polk