Madigan isn't just a celebrity. She's made numerous appearances on all the late-night talk shows. Leno's called her one of America's funniest female comics and Ron White lauds her as being one of the best comics alive. Those are some mighty superlatives.
Maybe she wouldn't answer, I thought as the phone rang. And then, she didn't answer. My relief lasted a few seconds. I couldn't concede to failure on my first interview that wasn't with my friends about their bands.
After emailing her publicist and finding out Kathleen overslept, we rescheduled the interview for that Thursday. When I called again, I wasn't nervous anymore. Yeah, she's had her own comedy specials on HBO and Comedy Central. She's hosted shows on Sirius Radio and went unchallenged on Last Comic Standing. But she also oversleeps, just like I do. She's human. And when she answered my call, I found out just how funny and easy to talk to she really is.
CL: Can you tell me a little about your upcoming show? How is it different from Gone Madigan or some of your other shows?
KM: Well, it's almost completely different because I'm doing another special on May 4th so what I'm doing now is all new from Gone Madigan. I usually stay within the same subjects because that's what interests me, but it's all different material.
Some of those subjects, I know you talk a lot about your family but you also do more topical subjects as well, so is that what you're talking about?
When possible you throw in events that are more local to the area where you're playing. How do you pick those items?
I pick up the paper to see what's going on but it just depends on the city. Some cities I've been going to my whole life and I know their history. Detroit is a city that fascinates me because the actual city of Detroit goes through so many crazy things you can't even believe they're real. Nobody outside of Detroit would know about it or care, but when I go there, it's a chance to talk about it.
Are you well received there when you're talking about how bad things are?
Oh, they know, and the jokes I'm doing, you wouldn't know them unless you really cared enough to read their papers, so I think they feel like I'm not just making fun of the cliché stuff, I'm actually going a level beyond that where it's really, I do know what I'm talking about so they believe that and then they think, okay, it's like making fun of your own family versus making fun of someone else's family.
Have you ever performed in Tampa Bay before?
Over the years, tons of times. There's an improv there. I like a lot of the clubs. One, it's probably still there, Side Splitters. Before I did theaters, I did all the clubs for 20 years so yeah, I've been there a lot.
In Gone Madigan, you mention that you don't have to write jokes, you call up your father and he inadvertently gives you a bunch of material, so did your father have any influence on your pursuit of comedy?
Not really. Everyone in my family is pretty funny so it's just how my family is. I guess you don't really think about it until other people comment, but I would say no. He's good to tease but not on stand-up.
Did he have anything else he wanted you to do instead, or did he say he'd support you no matter what?
I don't know if he had anything else in mind, but the good thing is, I have six siblings, and when there's that many kids, no one's really paying attention to anything, so we never had any pressure to go do or be anything specific. We had to go to college or we had to go get a job, but no, they didn't seem to care one way or the other.
Aside from talking to your family, then how else do you get your jokes? What is your writing process like? Obviously, you turn to the newspapers and the news, but do you sit down at a desk?
I never sit down at a desk and write jokes. I just live my life and read and go do stuff and funny stuff happens all the time, I just think some people just don't look at it that way. I look at it that when and then I say it on stage. Stuff flies into my head and I write it down usually — like a word on a piece of paper and I'll find it later in my purse and go, “Oh yeah, that.”
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