Movie Review

Tuesday, November 20, 2012

Attempting full penetration with The Sessions

Helen Hunt bares all, playing a sex surrogate who helps a disabled man explore his sexuality.

Posted by on Tue, Nov 20, 2012 at 11:31 AM

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On the box office battlefield, The Sessions is the paraplegic David standing up to the Goliath that is Twilight. Instead of superpowers, the main character in The Sessions, Mark O'Brien, has a debilitating handicap. Instead of finding eternal love at 18 like the teens in Twilight, the middle-aged O'Brien pays a sexual surrogate to help him lose his virginity. As opposed to sex scenes that offer glimpses of perfect glittering bodies destroying a bedroom beneath their intense passion, we see a middle-aged woman kneeling over a handicapped man's face, worrying that she is suffocating him with oral sex. And yet, despite all of these bold, nontraditional elements, the film attempts to woo audiences with a conventional love story that doesn't match the challenging subject matter or characters.

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Tuesday, September 4, 2012

Dinesh D'Souza's Obama's America spins paranoia into box-office gold

Posted by on Tue, Sep 4, 2012 at 11:29 AM

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Two years ago, Forbes magazine published a thin reed of an idea by Dinesh D'Souza that took off in conservative circles — a fresh, bold look at understanding Barack Obama's worldview. The article was an excerpt from D'Souza's soon to be published book, The Roots of Obama's Rage, which essentially said that the President gets his "anti-colonialist viewpoint" from his father — a man he met just once in his life.

But that lack of contact doesn't matter to D'Souza. As he says in his movie, 2016: Obama's America, D'Souza seized on the title of Obama's acclaimed first memoir, Dreams From My Father, as the hook that persuaded him to explore the connection between Barack Obama Sr. and Jr. And since Barack the Elder's viewpoint in Kenya was anti-colonialist, well, gosh darn it, that probably explains some of the things that his son, our president, does.

2016: Obama's America is relatively engaging through its first hour, but loses all objectivity in the last 30 minutes. D'Souza pulls out any policy decision that he disagrees with as being proof of Obama's true philosophic ethic — anti-colonialist, and thus anti-white. It's a radical deduction based on the evidence at hand. It's also irresponsible, and it should have died in the marketplace of ideas two years ago. But there's no shortage of men in America with deep pockets who don't like the president, and D'Souza was able to get some of them to finance his film.

But 2016: Obama's America isn't convincing — unless you check your brain at the door before entering the cinema.

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Saturday, July 21, 2012

Now that you've seen The Dark Knight Rises

Let's nitpick Batman's big moments — major spoilers included!

Posted by on Sat, Jul 21, 2012 at 4:05 AM

[Note: Check out my full, spoiler-free review of The Dark Knight Rises here. And for more reviews of new releases, check out The CL Movies Site.]

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I've wanted to talk at length about The Dark Knight Rises since the second it was over, but that was on Tuesday, and I would have been killed by my friends and office compatriots if I breathed a word of spoilers. What follows below the fold are some additional thoughts on the movie without concern for holding back details. Please consider yourself fully alerted to the spoilers before continuing.

Also, a note on the shootings in Colorado late Thursday night: It's a horrible tragedy. As someone who spends a lot of time in movie theaters I am mortified on many levels. I have no idea what motivated James Holmes, but I do know that blaming the movies in general, or Nolan's Batman flicks specifically, is wrong. No movie can inspire a person to commit this kind of unspeakable crime. That motivation must come from within the deranged individual. It would also be wrong to allow one moron lunatic with a gun to come between you and a movie you've been dying to see for weeks, months or years. The lasting message of The Dark Knight Rises is one of hope. Don't let Holmes dampen yours.

Now, on to the spoilerific nit-picking:

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Saturday, June 23, 2012

Blu-Ray Review: Wanderlust is funnier at home

A dud in theaters, the Bly-ray release of the Paul Rudd/Jennifer Aniston comedy amps up the laughter.

Posted by on Sat, Jun 23, 2012 at 3:00 PM

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It takes a particular sense of humor to find David Wain’s writing and directing funny. “Bizarre” would be a more appropriate word to describe it, which is why Wanderlust’s “Bizarro Cut” would have worked so much better for Wain fans than the theatrical release. You see, Wanderlust is kind of funny; the "Bizarro Cut" is funnier. As Wain and producer/co-writer Ken Marino explain in the Blu-ray extras, it’s a similar but different, shorter version of the film using additional footage that was too absurd for theaters. I say nonsense, leave it in!

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Monday, June 11, 2012

DVD Review: Don’t Go in the Woods

Some movies are indie productions for a reason.

Posted by on Mon, Jun 11, 2012 at 4:00 AM

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“No phones, no weed, no booze, no girls.”

Someone sure knows how to have a good time. If you want to have a good time, avoid Don’t Go in the Woods.

Say hello to Nick, despotic band douche, who dragged his friends and emo-hipster bandmates out to BFE to record new songs for a demo in the quest for a record deal. Nick’s all about the concentration. No drugs. No drama. No distractions. No discussion about his decision to smash everyone’s cell phones with the axe he borrowed from the creepy hunting shack. It’s always a good idea to ditch all comms gear after ignoring an ominous sign telling you not to go in the woods, right?

So, of course, Nick is thrilled when his ex-girlfriend shows up with a load of groupies, drugs and booze — cell phones too. He tried to ward off temptation but temptation came to the band. You’d think Nick would be thrilled; not getting what he wants should be the perfect inspiration for the brooding, angsty whining music he makes.

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Friday, June 8, 2012

Blu-ray review: John Carter journeys home

The Blu-ray release offers insight into the harried development of Disney's box office disaster.

Posted by on Fri, Jun 8, 2012 at 2:31 PM

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There are no simple stories in Hollywood.

Movie narratives are larger than life and then some. They often start out as simple jigsaw puzzles before twisting into variegated Rubik's cubes, winding through troves of characters and maze-like subplots. But the same can and should be said of the stories behind these movies, since the tortuous production histories of big budget blockbusters are just as revealing (nay, more revealing!) than any pre-show trailer or Entertainment Tonight insider special.

John Carter, is a fantastic new addition to the Hollywood compendium of behind-the-scenes chaos. In fact, this tale of Martian civil war that went through a great number of iterations and cycles in production Hell, is the epitome of movie-making mayhem.

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Saturday, April 14, 2012

Robot and Frank brings Frank Langella to Sarasota Film Fest (with photos, "chopped and screwed" video coverage by Daniel Veintimilla)

The opening night debut showcased the acclaimed film starring Langella.

Posted by on Sat, Apr 14, 2012 at 7:44 AM

Frank Langella stars in <em>Robot and Frank</em>, the opening night feature of the Sarasota Film Festival 2012.
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  • Frank Langella stars in Robot and Frank, the opening night feature of the Sarasota Film Festival 2012.

Buddy flicks sure can be sappy, sucking in viewers with tugs at the ol' heart strings, and just as certain, sci-fi can be far-fetched and predictable.

Both genres, however, have melded into a touching new prototype with Robot and Frank, the film that got Sundance abuzz and won best feature at the 2012 festival.

A-lister Frank Langella — who returned to prominence in Ron Howard's Frost/Nixon — agreed to star in the low-key film with Susan Sarandon, James Marsden, Liv Tyler and Peter Sarsgaard, who's the disembodied voice of the movie's mysteriously intuitive robot. The decidedly non-CG white plastic guy is costumed and animated by various friends and young relatives of the cast and crew throughout the film.

Langella's honest, edgy and often humorous portrayal added a subtle humanity to the film — framed by Jake Schreier's measured direction and Christopher Ford's honest screenplay, which is chock full of some of the best lines spoken in a movie in some time.

Langella with Schreier and Ford at the Robot and Frank Q&A

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Sunday, April 1, 2012

Tarsem's Mirror Mirror is a treat for the eyes

Julia Roberts stars in this weathered tale that offers a beautiful yet typical reflection.

Posted by on Sun, Apr 1, 2012 at 2:05 PM

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In the hand of Hollywood you'll notice a rather large bag of tricks used to spin old stories new again. We've seen it a hundred times before: Contemporary filmmakers and artists slap a new coat of paint on an old fairy tale. The results are sometimes refreshing but often no more than a waste of time.

Which brings us to Tarsem Singh's Mirror Mirror. This year's second of three retellings of the Brothers Grimm's unforgettable Snow White fairy tale (Grimm's Snow White this past February, and June's Snow White and the Huntsman rounding out the year of White) is a cute, self-indulgent experience, which likely falls into the latter category.

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Tuesday, January 31, 2012

The story on Chronicle? Not much to say...

Absolute power corrupts absolutely in an absolutely played-out genre flick.

Posted by on Tue, Jan 31, 2012 at 9:46 PM

SO, WHO'S HOLDING THE CAMERA? Andrew (Dane DeHaan), Steve (Michael B. Jordan) and Matt (Alex Russell) get suped up in Chronicle.
  • SO, WHO'S HOLDING THE CAMERA? Andrew (Dane DeHaan), Steve (Michael B. Jordan) and Matt (Alex Russell) get suped up in Chronicle.
The found-footage genre has worn thin to the point that a movie’s own characters find it annoying. True story.

When you have to make someone go all American Beauty to explain the camera’s presence, maybe it’s time to think outside the box. Or back inside the box, as it were.

The old train of thought almost jumped the rails entirely before the flick even started, courtesy of the beautiful blasphemy that is the Three Stooges trailer.

Digression aside, Chronicle is a watchable film in a genre that just needs to up and die already. With that having been said, it was an acceptable vehicle for this particular story; swan song, anyone?

Andrew Detmer (Dane DeHaan) is a disaffected teen with a new voyeur thing going. Act I is a day-in-the-life sequence that lays the foundation of his predictable character arc, social misfit existence and the multitude of people in King County, Wash. who are in dire need of a firmly-kicked arse. He is joined by two fellow high school archetypes, glib Popular Guy Matt Garrety (Alex Russell) and Team Captain/Senior Class Pres. to-be Steve Montgomery (Michael B. Jordan). Together they climb down a mysterious hole in the ground, get up-close and personal with some low-rent Kryptonite and start bleeding from the nose.

Bam. Instant telekinesis.

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Wednesday, January 18, 2012

Go nuts for Haywire

Gina Carano is action fanboys’ new crush.

Posted by on Wed, Jan 18, 2012 at 3:03 AM

BIRD ON A WIRE. Gina Carano leaps to the forefront of female badassery in Haywire.
  • BIRD ON A WIRE. Gina Carano leaps to the forefront of female badassery in Haywire.

Look out, action fans, Haywire’s Gina Carano—of mixed martial arts and American Gladiators fame—is your new crush.

Just taking a look at the cast tells you they put some serious thought and/or dough into this flick. Douglas, Banderas, McGregor, Paxton, Fassbender… even a block of wood like Channing Tatum must cost a pretty penny.

Helmed by Oscar-winning best director Steven Soderbergh—who won for Traffic, was nominated for Erin Brockovich and also gave us the Ocean’s trilogy—Haywire had some serious buzz, the kind to which action movies struggle to live up.

Believe it, but—despite what trailers suggest—expect more Danny Ocean than Jason Bourne.

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